Orchestral Works:
Signs of Life II- for string orchestra
Signs of Life- for string orchestra
Peace Overture- for orchestra
Gabriel– concert overture for orchestra
Don’t Tread on Me– for string orchestra
Mozart Escapes– settings of Mozart for orchestra
Ultra-Americana– two pieces for orchestra
Freedom Fanfare– for orchestra
Revolutionary Action– for orchestra
Concertos:
Voice of the Wood– concerto for cello quartet and orchestra
The Glory and the Grandeur– concerto for percussion trio and orchestra
Harmonic Rhythm– concerto for timpani and orchestra
The Upward Stream– concerto for tenor saxophone and orchestra
Educational & Family Pieces:
The Thrill of the Orchestra– demonstrates the instruments of the orchestra with narration
The Thrill Beyond Words (instrumental)
Playing with Style– demonstration piece for narrator and orchestra
Jack and Jill at Bunker Hill– a story from the founding of the USA for narrator and orchestra
Where’s Red Robin?– story piece with narrator and orchestra
Concerto for Cello Quartet and Orchestra
or
Arrangement for Cello Quartet and Piano
I. Prelude
II. Fantasia
Composed for the innovative medium of cello quartet and orchestra. Voice of the Wood was premiered by the Charlotte Symphony to standing and shouting applause. Suitable for performance by an orchestra’s own cellists, it can also be performed by a guest artists cello quartet.
“classic Peck, tonal and accessible, and driven by syncopation . . . especially winning was the rich collective voice of the four soloists . . . the audience responded with an extended ovation”
Charlotte Observer
“very positive response . . . the audience was on its feet just moments after the music ended”
National Public Radio: Performance Today
duration: 21′
(1999)
3(3rd db. picc.)/2+E.h./2+b.cl./2+cbn. 4/3/3/1
timp. 3 perc. piano harp
violin I & II violas basses
solo cello quartet
To purchase this contact:
Eble Music Co. (319) 338-0313 www.eble.com
This concerto for three percussionists has been performed across America – by the Boston Symphony Orchestra, the Cincinnati and Indianapolis Symphonies and many others. The opening is a paraphrase of the composer’s Lift-Off for percussion, reviewed by the N.Y. Times as “the hit of the evening . . . smashingly propulsive.”
The Smashingly Propulsive opening drum cadenza
The entertaining spectacle of performance by interwoven percussionists makes this piece ideal for video productions, and performances have been broadcast nationwide-The West Virginia video production won first prize in the prestigious Houston International Video Competition in the live music category.
Excerpt #1
Excerpt #2
Finale
I. Allegro maestoso (Revolutionary Brass) 4’30”
II. Andante cantabile (Amadeus Meets Stradivarius 7’00”
III. Allegretto scherzando (Woodwinds a la Wolfgang) 5’00”
IV. Allegro vivace (Mallets and Mozart) 6’00”
In this unusual concerto for orchestra each movement is based on a famous Mozart piano sonata movement scored for full orchestra, with emphasis on one of the instrumental families. It explores the adaptability of W.A. Mozart’s great piano compositions to varied scoring using all the resources of the modern orchestra.
“equal measures of wit and serenity . . . a worthy addition to the repertory”
Greenville News
total duration: 22′ 30″
(1997)
LISTEN to audio samples
2+picc./2/2/2+cbn. 4/3/3/1
timp. 3 perc. strings
The original version of The Upward Stream with orchestra has been performed throughout the United States, as well as in Berlin, Warsaw and other European cities, and Canada, Czech Republic, England, South Korea, and Taiwan/R.O.C.
The Symphonic Band arrangement of The Upward Stream
was premiered by the Indiana University Symphonic Band,
February 5, 2013.
The writing of this concerto, which premiered in 2000, was inspired by the largest commissioning consortium to date in music history—39 orchestras. It was also sparked by interest among timpanists based on the composer’s well-known percussion concerto The Glory and the Grandeur and percussion trio Lift-Off. It is visually stimulating due to the unusual variety of mallets and brilliant sticking. Harmonic Rhythm requires 5 drums (4 standard sizes plus a piccolo drum).
A primary feature is the melodic writing for the timpani, which shows the instrument’s expressive range extending into areas of surprising lyricism. There is powerful action, too, of course, with jazz and rock influences, leading to a very big ending.
Section I: excerpt
Section II: beginning-excerpt
Section III: beginning-excerpt
Section IV: excerpt
Section IV: excerpt-end